Introduction

Professional photojournalists play a crucial role in capturing the essence of the world around us, from breaking news events to vibrant portraits. The choice of camera and lenses can significantly impact the quality and versatility of their work. As a seasoned professional, I have found that two primary setups are consistently used in the industry: the Canon 5D Mark IV with a 28-70mm f/2.8 LII and the 5D Mark III with a 70-200mm f/2.8 LII. These setups offer a wide range of focal lengths while minimizing the need to switch lenses, crucial for seizing the perfect moment.

The Industry Standard in the US

In the United States, the landscape of professional photojournalism is dominated by two brands: Nikon and Canon. This preference is often referred to as 'shooters' in the industry. Photojournalists in the US typically use the 70-200mm f/2.8 lens for sports and quick headshots, while the 27-135mm lens is favored for general work. A rectilinear 10-20mm lens is also often used for wide-angle shots. These lenses provide a versatile range that can handle most common photojournalistic tasks.

Specialization and Lens Collection

It is important to note that professional photographers do not have a one-size-fits-all approach. Many specialize in particular fields, such as portraits, fashion, industrial machinery, products, weddings, landscapes, news, media, sports, and wildlife. Each of these specialties may require a specific set of lenses. For example, the 85mm f/1.4 is a go-to lens for portraits, while wildlife photographers often prefer the 500mm f/4 for capturing distant subjects. Even when a photographer transitions between different types of assignments, they rely on their extensive lens collection to ensure they always have the right tool for the job.

The Holy Trinity of Lenses

While lens choice is highly personal and dependent on the specific needs of the photographer's work, certain lenses are considered to be a 'holy trinity' by many professional photographers. These are the 14-24mm f/2.8, the 24-70mm f/2.8, and the 70-200mm f/2.8. The 24-70mm f/2.8, in particular, is renowned for its versatility and can cover a wide range of situations with excellent quality. The 70-200mm f/2.8 is a favorite for sports and wildlife photography due to its excellent telephoto reach and image quality.

Conclusion

The choice of camera and lenses for professional photojournalists is a complex decision influenced by the photographer's specialization and the nature of their assignments. While specific preferences can vary, the Canon 5D Mark IV and its complementary lenses provide an excellent setup for capturing a variety of scenarios. Understanding the 'holy trinity' of lenses can help professionals build their collection around these versatile and high-quality options.