My Favorite 35mm Films and Beyond: A Personal Journey
Photography, particularly with 35mm film, has been a passion of mine for the last decade. As a seasoned shooter, I have experimented with a variety of films, each with its unique characteristics and applications. Below, I share my experiences and preferences, focusing on both black and white and color slide films.
Black and White Films
When it comes to black and white film, I have found that Tmax400 is my go-to choice. To me, 35mm film is all about capturing handheld shots with a slight grains texture, which this film delivers perfectly. While it's a standout, I also appreciate Tri-X for its smooth and grain-free aesthetic, though it requires a bit more care in exposure and development.
For a more forgiving option, I turn to Fuji Acros when I need a film with a smoother look. This medium format film is ideal for scenes that require a touch more speed and a touch less grain. Additionally, Ilford FP4 is a personal favorite, especially when my Acros supply runs out. FP4 offers a beautiful grain structure suitable for various applications.
When it comes to pushing films, I have found that Ilford Delta 3200 pushed one stop provides impressive results. The resulting grain is characterful, making for visually unique black and white images. Another film I love is Kodak T-Max P3200; it's great for those who want to push their boundaries in the darkroom. I'm thrilled to hear that it's making a comeback.
For film developers, I have a preference for HP5. This film offers excellent exposure latitude, ranging from 5 to 3200. It is forgiving and flexible, making it perfect for those new to film photography. Pan F 50 is another favorite, offering very fine grain and soft tones ideal for portraits in daylight or in a studio setting. Finally, Delta 3200 introduces a grainy yet high-contrast look. Pushing this film should be done with caution due to its increased grain and contrast.
Color Slide Films
For color slide film, my favorite is Kodachrome, though I never had the chance to use it during my active film shooting years. Another standout is Velvia 50, which is incredibly rich in blues and greens and vibrant in general. When more speed is needed, Provia 100F is the go-to choice.
One aspect of film photography I really miss is processing black and white film at home. It's easy and inexpensive, allowing for creativity while watching TV. The tap water of around 68°F is also a plus, as it's ideal for developing film.
I also enjoy Ektar 100 for its superb color saturation and contrast, similar to color slide films like Fuji Velvia 50 or Provia 100. It is perfect for landscapes, still life portraits, and nature shots with light. However, do not take it to a one-hour lab, as it loses its unique character.
Portra 400 is another favorite, offering fantastic exposure latitude and accurate, vibrant colors. This film is excellent for action shots and indoor scenes requiring extra speed.
Developing Techniques
When developing black and white films at home, I prefer either Kodak D-76 or Ilford ID-11, as they are widely available and cost-effective. The stop bath and plain Kodak fixer are also my go-tos, though sometimes a bath of saltwater is used. For color negatives, I bulk-order C-41 chemicals from Freestyle Photo.
Shooting film, especially as a professional, requires dedication and patience. It brings a unique tactile and creative experience that is irreplaceable. I haven't touched a digital camera in almost five years, and I am proud to defy societal pressures to stick with film.