Unusual Instruments in Rock Music: Innovations and Their Impact (1965-1975)

The era between 1965 and 1975 was a time of significant artistic and technological innovation in rock music. Musicians experimented with a wide variety of unusual instruments and objects to create new sounds and push the boundaries of what was possible in the studio. This exploration led to groundbreaking techniques and collaborations that have continued to influence modern music creation.

George Harrison and the Sitar

One of the most well-known innovations during this period was George Harrison's pioneering use of the sitar on The Beatles recordings. The sitar, an Indian stringed instrument, first made its mark on Western audiences through 'Norwegian Wood' (which actually sounds closer to a tambura than a sitar). However, it was George's use on the song 'Love You To' and 'Within You Without You' that showcased the instrument's potential.

Beyond just the sitar, some other unique instruments and objects were introduced during this era, including the shakhōd, shehnai, pakhavaj, bansuri, and harmonium. The harmonium was used not only on George's tracks but also in George Martin's composition 'The Inner Light,' enriching the overall musical texture and creating a distinct Indian influence in the track.

The Beach Boys and "Good Vibrations"

The Beach Boys' "Good Vibrations" (1966) is a prime example of how unconventional instruments can transform a song into something truly innovative. The composition features a diverse range of sounds, intentionally constructed to evoke a feeling of 'vibrations' rather than grounding it in any specific set of lyrics or melodies. The use of a Farfisa organ, church organ, electric zither, zithers, and mellotron (a keyboard that mimics a wide variety of orchestral sounds, including choir) creates a layered, almost baroque soundscape.

Emerson, Lake Palmer and "Lucky Man"

Emerson, Lake Palmer's track "Lucky Man" is another notable example that marked a significant milestone in the use of unconventional instruments in rock music recordings. The track incorporates a wide array of instruments and sounds, including the Mellotron, which provided the iconic 'Moog' sounds that characteristically defined the song. The addition of a string quartet further enriches the texture, giving the song a classical touch and elevating it to a whole new level of complexity.

String Quartets and Moog Synths

Beyond Farfisa organs and mellotrons, the use of string quartets and Moog synthesizers was also a significant shift during this period. String quartets added a new dimension of depth and warmth to pop and rock tracks, while Moog synthesizers brought electronic experimentation to the forefront. These techniques not only revolutionized the way music was created but also paved the way for future generations of musicians and producers to push boundaries and explore new sounds.

Evolution of Studio Techniques

The innovations of this era had a profound impact on the evolution of studio techniques. Musicians and producers began to experiment with unconventional instruments, layers of sound, and mixing techniques that allowed for much more complex and detailed compositions. This period marked the transition from basic recording methods to a new era of experimentation, creativity, and technical innovation.

Conclusion

The era between 1965 and 1975 was a transformative period in the history of rock music, marked by a bold exploration of unconventional instruments and techniques. Innovators like George Harrison, The Beach Boys, Emerson, Lake Palmer, and others helped pave the way for the industry's future growth, pushing the boundaries of what we thought was possible in the studio. Their legacy can still be felt today, inspiring new generations of musicians and producers to continue the journey of musical innovation.